gallery

1504 pieces, shuffled — reshuffle

Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Atari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and green Two stacked book spines misread as one phrase: gold-stamped HISTORY above a red cloth spine reading THE CHALLENGE OF Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base Spolia-Style-Smooth-Detail The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden Sketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pages Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Two gritty scratched-negative self-portraits side by side: one pale and open, one dark with burning white eyes Museum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jar Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Poster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 Vinton Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Lecture slide from The Endless Forest: sunbeams falling into a clearing where a white stag stands at a small ruin Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right Sketchbook 46: watercolor self-portrait in a grey tank top cradling a skull, with a note wondering whether to stop this book early before the vacation Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Two skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debugging Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color' Two low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawn SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Edvard Munch's Puberty: a naked adolescent girl sits on the edge of her bed, arms crossed over her lap, a heavy shadow looming beside her Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Book plate of Géricault's Left Hand, 1823: the artist's own hand drawn in black, red and yellow chalk, splayed and shadowed as if cast off, now in the Louvre Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Illustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshank Textured 3d crow standing on flat chroma green, beak open mid-caw Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors Tiny blurred frame of figures dancing in a room washed green and yellow Sketchbook 49 spread: two soft graphite studies of entwined wrestling nudes, limbs arched and knotted around each other's torsos Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Grainy video still: a figure in a homemade paper dress printed with the two towers of the World Trade Center Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes A gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine door iTunes playlist of J-rock and anime songs: Fujin-yo, Morning Musume, L'Arc-en-Ciel, Sambomaster (playing, five stars), The Blue Hearts, RahXephon tracks, Afrirampo

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