gallery

1479 pieces, shuffled — reshuffle

Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Astrodienst natal charts side by side: Auriea, Gemini sun with Aries rising, and Michaël Samyn, Cancer sun with Leo rising Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' Wireframe viewport of the virtual Labytaur: a latticed dome and radiating disc enclosing a cylindrical core, a small dark figure and inverted cone below Textured 3d crow standing on flat chroma green, beak open mid-caw Tiny low-poly skull render, warm bone tones on black — game skull sprite Film still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of stars Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Cover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestry Mirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at left Logo of the word mirror drawn in thin white rounded strokes on black, the letterforms mirrored so the word reads the same reflected Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face Sketchbook 49 spread: faint layered crowd studies in graphite and ochre — faces, lips, and a staring woman — with the note 'if you think this is over then you're wrong' Tekken doujinshi page: a boy reads happily about Paul Phoenix's towering flattop while grandfatherly Heihachi looks on, headed So what if I'm a Paul fan! Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the Bad Sformo-Analysis SPOLIA-Manipulator Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Raphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panels iPod ebook page from Ted Hughes's Tales from Ovid with highlighted lines: the goddess rose out of the depth and began the old story of how she was loved by a river A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Sketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blank Abramović and Ulay, Pietà: he lies white-clothed across her lap over a spill of red cloth as she looks upward Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' Sketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black night French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer 3d prop: an open wooden treasure chest with a faceted diamond on its red lining Digital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her head Odd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale ground Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Two ancient Egyptian black stone heads with damaged noses, side by side on museum stands — one with wig, one curly-haired Macro through a kaleidoscopic lens: a carved rosette embossed in reds and flesh tones, dissolving into flower-mosaic blur Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right Live Click Test Cover of sketchbook 48: an old ledger bound in red leather and swirled brown marbled paper, scuffed white at the edges Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Airmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. Harvey Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Reference collage for Labytaur: medieval Minotaur-in-labyrinth manuscript, garden-maze engraving, Picasso Minotaur images, the sleeping Ariadne, a two-faced bust, and floor mazes Max von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor

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