gallery

1504 pieces, shuffled — reshuffle

Spy Test Small pill-shaped interface strip fading from white into warm grey Sketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe' Sketchbook 38 spread in pencil: a glass of tea, its bag slumped beside it on a crumpled napkin — 'tea, Ronse(?)' METOPE paint and glaze figure Spolia-Style-Pelt A thin strip of printed text reading The labours I endured were iPhone tarot app, three cards on green wallpaper: Five of Pentacles, Seven of Pentacles, Nine of Cups Blender viewport for La Vita Nova: scanned bust of a figure with thick locks holding a round object at its chest, white against a black grid Odd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale ground 3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early head Cover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS' Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Guggenheim Foundation rejection letter, March 9 2007: 'I am sorry to inform you that your application for a Guggenheim Fellowship was not successful' A Roland TR-606 Drumatix drum machine: silver face with accent and drum knobs above a row of sixteen grey step buttons A denser QR code on white, larger than the first Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 METOPE paint and glaze figure Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground John December's 1994 CyberMap Landmarks diagram: the Internet drawn as colored blob territories — Web, Gopher, WAIS, Telnet, FTP, Usenet and Email space — linked by red gateway arrows Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Five views of Object 01: a small polished bronze head of Auriea, bald with serene features, shown in the hand, on a black pouch, and beside a leather notebook Ancient Egyptian bronze mirror: a slender standing woman forms the handle, her upraised arms curving into a papyrus support for the broad golden disc MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Gopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania' Polaroid of a foot in a bright red-orange stocking and black strappy sandal, dark skirt hem swinging above speckled lino Belgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from above Ingres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side Animation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with Uhura Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it The Mystery, second version in pale green: the skull smoothed and helmeted, the face sunk in its socket, a long horn looping back like a ribbon Book spread of Kafka's short prose piece The Sudden Walk, its single long sentence about abruptly leaving the house at night filling the left page Maerten de Vos, The Temptation of Saint Anthony: demons haul the saint into the sky by his cloak while below Anthony walks past lions, a devil-drummer and an elephant with a howdah Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Sketchbook 44: a magenta orchid painted in gouache and colored pencil against a smoky black-brown ground, buds above and a fainter penciled bloom emerging below Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneath Scrawled white handwriting on black, from Arkham Asylum: 'I don't know how many times I have to say this: I am sane… There's been a TERRIBLE mistake.' 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin John Collier's Clytemnestra (1882): the queen stands grim in a doorway between bronze column and curtain, gripping a long-handled axe, blood at the threshold Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden'

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