gallery

1504 pieces, shuffled — reshuffle

E-reader glowing in the dark, thumb on the page: Anne Carson's dedication to Keats, '…FOR HIS GENERAL SURRENDER TO BEAUTY. A wound gives off its own light, surgeons say.' ZIBALDONE: the map of cards, lists and boards Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Dancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheet Cover of sketchbook 17: cream paper with a small dark varnished window of foliage over faint cursive script, red velvet spine at left Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Roma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals' Café Astrology natal wheel in beige and red: Gemini sun, Libra ascendant, with the triangular aspect grid and planet table below Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front Three views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarter Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study Collage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagram Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below Sketchbook 38 spread, Oudenaarde: a face rising behind watercolor foliage, gothic church windows, and a pencil driver seen in a car's wing mirror John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo' Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Mac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through Sunday Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' Small Mac notification bar: 'You hear the sound of Crows (7).' — NetHack speaks Cover of the earliest sketchbook, mustard yellow and dense with ink doodles: 'RIEA!', 'UTILITY SKETCHBOOK', Japanese characters, spirals, faces, 1989 Lecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig A Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed Jacques-Louis David's The Death of Socrates: the philosopher reaches for the hemlock cup while pointing skyward, his grieving students around the prison bed A single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white table Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the Bad Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Self-portrait reflected in a botanical garden greenhouse pane, camera raised, autumn pines and roses tinted rose-gold through the glass Frans Floris, The Fall of the Rebel Angels: armored archangels with swords and shield drive a writhing avalanche of muscular demon bodies down out of the light Book page of Oscar Wilde's preface to The Picture of Dorian Gray, pencil-marked at 'No artist has ethical sympathies' and ending 'All art is quite useless' Journal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each other Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Blender top view: a small posed figure at the crossing of yellow dashed constraint circles and axis lines — camera rig geometry Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Sketchbook 40, Schloss notes: a red ribbon whipping between inked topiary and hedges, sketches of chandeliers and a fountain in a room, notes on hidden servant doors Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowl Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' On the studio's green cutting mat: a small white clay sculpture splitting open like a fruit, posed with two clementines on an envelope

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