gallery

1504 pieces, shuffled — reshuffle

Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Spolia-Overhang Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox Black-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly empty Cy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-script Journal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...' Small jade plant with plump oval leaves in a terracotta pot with saucer, on a red tiled windowsill by an open window Cover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torso Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black ink Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Kara Walker's Burn: black paper silhouette of a girl with braids standing in cut flames, a gnarled plume of smoke towering above her Morning's desktop, windows fanned out: a 'How to Draw the Voronoi Diagram' blog post, tumblr fashion images, palm fronds, a rose-garden double exposure, a bun of locs Black-and-white diptych: blurred lattice shadow and a glass on a table above; a kitchen-roll on the windowsill overlooking a bare Gent courtyard below Two states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out below Black-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running below Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward Roma sketchbook: a pencil reclining nude, Ovid's Latin on Daphne's transformation lettered around it, and an inked mustached portrait — 'is it possible that in Roma there can be no fantasy?' Spolia-Gizmo-Flip Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead' Smooth grey 3d male body in A-pose, faceless, feet on the green ground line Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Metope's Navigator tablet: the corner mini-map, the five view-mode buttons, and undo, redo and fit. Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' A solid red square Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Sketchbook 44, drawn over the printed page 'Chapitre Premier' of Feu et Flamme: a faint pencil portrait of a girl with tousled hair, one eye darkly shaded Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Collage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's head P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp Sketchbook spread of draped gowns drawn in ballpoint: a dark radiant dress labeled 'A Foolish Virgin' and two pale robes labeled 'A Wise Virgin' ZBrush sculpt for MinoRinth: a child-faced figure with blank eyes, cow ears, and great curved horns, hair braided up into a knot Cover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering past Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised Sketchbook 41 spread on grey paper: a blue circle with traced hands, and portraits of grandmother in a blue headscarf, hooded mourners, roses, and publishing-platform notes below Phone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overhead Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Spiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marks Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monuments Sketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the body Sformo-Seam-Keys MinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behind METOPE paint and glaze figure

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