gallery

1504 pieces, shuffled — reshuffle

Two frames from Ghibli's A Country Doctor–style animation: a boy leaping off a sea cliff, and sunflowers hanging over towering clouds, upside down Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring Graphite study of a marble torso's thighs, a carved hand gathering the robe aside at the waist, with a smaller drapery sketch alongside Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props Metope's Tools tablet: a grid of twenty shape tools (Pad, Coil, Stylus, Knife, Rake, Rib, Smooth, Smear, Pinch, Inflate, Scrape, Move, Crease, Chatter, Gnomon, Moulding, Drill, Extrude, Imprint, Stamp), the Relax Mesh and Rebuild Mesh buttons, and the brush sliders below. Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor Detail of a Roman unswept-floor mosaic, the asaroton: fish bones, shells, fruit stems, claws, and a tiny mouse strewn across white tesserae Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Teiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centre Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Example #22 installation: the Minories vitrine on its tall stand behind the flat Magdalene case holding open sketchbooks, tablets and small dark figures Odd Nerdrum's painting The Singer: close-up of a hooded figure with head thrown back, mouth wide open in song against a mustard ground Tiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrain Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Sketchbook 49 spread of café and subway sketches: a hooded figure asleep on folded arms in red pencil, a child drawing at a table, and three bespectacled sleepers stacked in graphite Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground Sketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold Museum Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Francesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facade Printed page on Korean p'ansori: a single singer and one drummer enacting entire epic folk tales, eight hours of song, speech, and stylized gesture Gilded thousand-armed statue: a crowned deity with hands joined in prayer, a great fan of golden arms and open palms radiating behind the dark serene face Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Sally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption below The Darwin fish emblem: the Christian ichthys grown stubby legs, with DARWIN lettered inside its body and a small fish in its toothed mouth Tempest gameplay: a blue wireframe funnel plunging into blackness, the yellow claw shooter at its rim firing down at red and purple enemies A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch In the studio — On Borgo Angelico at 14:09, she found Deep Red—that inward turning, garnet-dark, the colour of old blood pooling in silk. Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Black-and-white still of Harrison Ford as Han Solo, crouched with blaster drawn in front of the Millennium Falcon Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face A black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to green Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion French test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…' Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid Spolia-Style-Strut Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Louvre sketchbook study in pencil and white chalk on grey paper: two views of a headless draped Aphrodite torso, the cloth knotted at her hips Cover of sketchbook 32, light side: two panels of tan player-piano roll paper, the perforated note slots scattered like morse code, a red band between Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Listening party — On Viale della Trinità dei Monti at dusk, she gathered the palazzo's held warmth—travertine walls yielding their pale grayish browns, the yellowish grays of weathered stone like old parchment.

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