gallery

1504 pieces, shuffled — reshuffle

MinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towers Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in red Master copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raised The Fountain of Life detail from the Ghent Altarpiece — angels kneeling on starry grass around the slender bronze fountain — framed with a plaque reading 'Auriea 2012', a gift from Hasan Niyazi Auriea Harvey, Iphigenia Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop' MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm Low-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouth Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page Notebook page headed 7 kings, 7 hills, Feb 20 2011: numbered lists of Rome's seven hills and seven kings from Romulus to Tarquinius Superbus, with a sketched map Last.fm 'now listening' list: Stars of the Lid twice, zlknf, Grails, and Apse's AE twice Long strip of overlapping webcam frames: a woman with braids, bare shouldered and eyes lowered, repeating and dissolving along a dark band Back cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepia Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote Spolia-Cutter Sketchbook 40: notes from the Theories of Beauty symposium in Leuven under a blue KASK Cinema flyer, with a pencil drawing of a woman reading beside an hourglass Blurry mirror selfie in an ochre bathroom, flower decals on the glass and a green L on the wall, camera in hand Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Photograph of stars scattered above a glowing green horizon band, a bright flare burning at the left edge 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Two studio portraits fanned on a scanner: a grinning man in an NBA cap and Celtics jersey, and a baby girl in pink with beaded braids Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Spread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellow Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Two photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeve Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Sketchbook 41 spread: pencil and red ballpoint life-drawing studies of crouching and reclining nudes, with a handwritten list of painters — Morot, Shishkin, Carlsen, Mancini, Prud'hon, Vibert, Bonnat, Ribera Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Colossal marble head of Medusa asleep on a rock, her face tipped back, wrapped in a mane of thick coiling snakes Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title Worn black cover of the Caproni Casts catalog — 'Plaster Reproductions of Sculpture for Drawing and Modeling Classes', Caproni Galleries, Boston, price one dollar

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