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1479 pieces, shuffled — reshuffle

Cover of sketchbook 32, light side: two panels of tan player-piano roll paper, the perforated note slots scattered like morse code, a red band between The Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty trees Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Two Louvre photos: a gilded ceiling crowded with ornament and putti, and Raphael's La Belle Jardinière with a sketchbook of tumbling cube studies held before it A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Four Dior haute couture looks by Galliano, Madame Butterfly themed: Hokusai-wave gown, kimono silhouettes and origami tailoring Mac folder named Work, 20 items on a dark green desktop: 1am.m4v, Flower/Lock, TEF, TheGraveyard, Fatale, The Path, Vanitas, Sirens, Room 101, Au Tarot and more Second woodblock page of the ʼPhags-pa primer: tall columns of angular square-script letters, each glossed with small Chinese characters 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest Sketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeper Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below Hero-machine comic cover: 'The Mighty Splintery Splinter' — a red-wrapped figure with a stick over its shoulder against a night skyline Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 Graphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body' Warped panorama selfie in the courtyard of the Rubens House in Antwerp — sun flaring over the head, the baroque portico bent around both sides Back cover of Huysmans' Against Nature (Oxford, tr. Mauldon): 'It will be the biggest fiasco of the year — but I don't care a damn!' Inverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garage The Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadow 3D render of a purple cyclops figure: a fleshy one-eyed male torso with truncated arms standing on a green-and-blue striped angular pedestal Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipes Grainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the camera Morning's desktop, windows fanned out: a 'How to Draw the Voronoi Diagram' blog post, tumblr fashion images, palm fronds, a rose-garden double exposure, a bun of locs Textbook skeleton standing in anatomical position, palms forward, on a teal ground Kaleidoscopic double exposure of a bouquet — pink gerberas, celosia and veronica mirrored into symmetry on a kitchen table Master copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raised La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above Codex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent pot Tale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wall Dancing drawing: a tall sheet of vertical ink gestures like falling figures — coiled, knotted and dripping strokes with faint traces of orange Heather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoos MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome Netscape screenshot of LOVE by Group Z, Belgium — early net art by Michaël Samyn: the word LOVE spelled in daisies inside gold and floral frames, hosted in Rhizome's anthology Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Sketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting' Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash SPOLIA-Shelf Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask

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