gallery

1479 pieces, shuffled — reshuffle

Subtitled frame from Serial Experiments Lain: Lain holds up a small chip between herself and her mirrored double — 'If I install this chip...' Soft-focus black-and-white studio portrait of a girl with dark marcel-waved hair and dark painted lips, gazing steadily at the camera An old engraving of two figures embracing beneath a rocky overhang, overpainted with ranks of falling black teardrops that spill past its margins Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops small animation of the Prophet Ezekiel from my video in this room is a sculpture called PROPHECY. a man with a swirling cloud around his head stumbles around then focuses. Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Bruce Nauman's 1967 neon spiral: 'The true artist helps the world by revealing mystic truths' in blue script wound inside a red-pink coil on a dark wall Ingres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Sketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudes The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving Google correcting the search 'keep pens from exploding on airplane' to 'keep pets from exploding on airplane' Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Small cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent Hill Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds Sformo-Bands Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Printed card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me' Sketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneath Cover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrils Sketchbook 46 spread of Metropolitan Museum notes: Egyptian scarab rings and a blue-scarab necklace in colored pencil, notes on the Hudson River School, Church's Heart of the Andes and Tiepolo, with Eros, Pothos and Himeros listed A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Smooth white 3d sculpture render on black: two abstracted nude figures curled into a ring, one body flowing into the other Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Zoe Leonard's typewritten text I want a president, 1992, beginning "I want a dyke for president" and ending on presidents who are always clowns, liars, thieves Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' Close on the trunk legs: bark fissures sized to each limb's girth, and a lopped branch stub with its collar — the scar every Roman marble trunk carries. Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' Close on the leafed neck struts: twisted stems with leaf blades reaching out and up between them. Three views of a small book silvered edge to edge: metal leaf cracking and peeling across the gutter of its open pages Ruby's head front-on: red bowl-cut wig over black eye-mask shadow, mouth open, black choker, on deep blue Two sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against black Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement

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