gallery

1479 pieces, shuffled — reshuffle

Phone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overhead Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closed Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Paper background texture shaded all over in soft grey pencil strokes iTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlighted Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Family evening in sepia tones: a man laughing in an armchair by the fireplace; a girl bent over her coloring at the table while a woman watches from her chair Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Finder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008 Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Coverage falloff at five Softness settings on a 40mm brush Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks A notan diptych — panel A in one gray with a white mass, panel B in the second gray with black and white masses, HUD proportion bars beneath each Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail QR code for the ProjectProject work Polyphemau Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground Two finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…' Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles Two Blender views of grandmother's house: the dark cutaway interior with staircase and lamp gizmos, and the whole cottage on shocking magenta terrain Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward Sketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go' Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Photographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is dead Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Joseph Beuys's Eurasia Siberian Symphony 1963 in three photos: taxidermy hare on poles against the chalk-drawn panel, plus the museum label Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Diptych on the Malecón in Havana: the seawall curving toward the smoky skyline, and a brown hand with a gold ring raised against the grey sea Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base Quest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circled

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