gallery

1479 pieces, shuffled — reshuffle

Blender wireframe of the old woman's head in profile over her reference photograph — retopology of the grandmother Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matter Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Mac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each window Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind The same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a Negress Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right A scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundred The vine in leaf, whole: leafed stems hold the rim and grip the base ring, tendril curls reaching from the mid-height stems, all in verde antico against the pale vessel. Cy Twombly untitled work: looping white crayon scribbles swarming diagonally across a grey ground Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair John Singer Sargent's Ellen Terry as Lady Macbeth: the actress in a green beetle-wing gown raising the gold crown over her own head with both arms Smooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the ear Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground The Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribble The Graveyard: the old woman leaning on her cane at a fork in the white path, tombs and dark trees pressing in, black and white Inside cover of sketchbook 20, winter 1993: an inked self-portrait on sky blue under the printed word 'EINLEITUNG', golden grasses collaged over the chest Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion Kara Walker's Burn: black paper silhouette of a girl with braids standing in cut flames, a gnarled plume of smoke towering above her Sketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edge Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Broken 3d export: a pink low-poly suited figure with an enormous black cylinder skewered diagonally through its head to the floor Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight METOPE paint and glaze figure Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado La Vita Nova render: two glittering point-cloud sculptures face each other from arched niches across a grey, star-flecked mist Sketchbook 44 page: ballpoint masked figures in hooded robes labeled Beauty, Wit, Virtue and Grace — 'the fairies are not your friends, they are old magic' — with a crowned tragic mask at center Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world 3d bust of a girl with pigtail buns and heavy-lidded eyes, downcast on a deep red ground — The Path's Ruby, early head The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view Tiny icon of a wooden hourglass, sand gathered in the lower bulb Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground Book plate of Géricault's Left Hand, 1823: the artist's own hand drawn in black, red and yellow chalk, splayed and shadowed as if cast off, now in the Louvre Sketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013 Abyssinian kitten enthroned on an iPad on a red cushion, huge ears up, beside a taped-up STAN theater poster The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Dense journal spread: an inked self-portrait beside a collaged red planet, columns of handwriting, and a blue profile facing a ghostly face — 'READ IT AND COMMIT ME' Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk

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