gallery

1504 pieces, shuffled — reshuffle

Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Sketchbook spread in red and blue ballpoint: a couple with a baby on a patterned couch, and opposite, a figure seen from behind in a white slip Annotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitions Mac OS X Finder window titled the universe: fifty-one thumbnails of cosmological diagrams — Ptolemaic spheres, moon photos, orreries, and golden spirals Warped panorama selfie in the courtyard of the Rubens House in Antwerp — sun flaring over the head, the baroque portico bent around both sides Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Tiny animated screen-capture: an image-editing window with a small dark photograph inside, too small to read A Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screens Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams Sketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudes Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front Second installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurine Journal spread: two torn notebook scraps with inked faces collaged over pencil writing, the profile at right labeled 'THE ACCUSER' Spolia-Style-Smooth Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Sketchbook 32 spread from the Met: a falcon-headed crocodile god in yellow, four red Anubis-like animal heads, and pencil sketches of a resting arm — 'a river runs through him' Smooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the ear Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadorned Album cover of Bama the Village Poet's Ghettos of the Mind: a bald head in profile whose brain is a collage of sepia photographs Spolia-Style-Cloth-Detail Sketchbook 46 spread on orange paper: pencil study of a pedimented baroque facade beyond a staircase, its sky filled in blue with white chalk clouds, beside a watercolor houseplant in a black vase Two Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purple The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Sketchbook 49 spread at the Sinebrychoff Museum, Helsinki: ink sketch of a St Anne 'protects against plague' painting holding Maria and Jesu, a light tangle of figures, and a shaded reaching hand Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombs Spolia-Style-Pelt-Detail Chart of the twenty-four Greek capital letters from Alpha to Omega, each with its name and pronunciation spelled out beneath Album cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio Serafin Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane Tiny animated gif of a figure rising from a small fire against black Sketchbook 41 opening spread on grey paper: attempts at painting the moon in gouache — 'clouds hiding her face' — waves in white ink, and a figure in a red-pink cloak on a dark thorned hill Diagram of the Hebrew letter aleph in thick black calligraphy, its strokes numbered 1 through 10 with pointer lines Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' A gilded baroque sculptural composition featuring a human skull at its center, flanked by two golden cherub figures and ornate architectural elements including scrolled moldings, set against a black background. The work exemplifies memento mori imagery, combining precious metalwork with skeletal symbolism in an elaborate three-dimensional arrangement. It is also the icon of my MacBookPro. Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Page from a Dutch Tiny (Martine) children's book: text about Tiny's circus above an illustration of her as a small ballerina curtsying in a spotlight among water lilies

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