gallery

1479 pieces, shuffled — reshuffle

Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Full page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chest Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake Sepia museum display of a mastodon skeleton before a painted marsh mural, its label reading 'This mastodon was found in Indiana' Album cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio Serafin Tiny blurred frame of figures dancing in a room washed green and yellow Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Labeled photo of First Style wall decoration in the Samnite House, Herculaneum, ca. 100 BC: painted plaster courses marked plinth, socle, orthostats, frieze and cornice Sketchbook 46 spread: a museum cast of a male torso from behind, modeled in charcoal and white on orange paper, beside a lighter sketch of a spiraling sculptural group Reference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photograms Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearly Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Sketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded ground Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky William Henry Harvey, in glasses and an American Legion cap stitched with United States flags, raises a leather-gloved hand to its brim New York Times clipping from 1883 recounting Ingres confronting Delacroix at dinner — 'Drawing, Sir, drawing is honesty! Drawing, Sir, drawing is honor!' — spilling his coffee in his fury Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Still from Silent Hill 2: Maria leans close behind the cell bars, subtitle reading See? I'm real. Self-portrait in a round mirror by the wooden door, camera at eye, in a black sweater with dreadlocks tied back Sketchbook 42, page 88: ballpoint domestic still life — a stereo tower and tissue box on a table, a game controller resting on a bed, snacks and a glass on a striped cloth Stage photo from a Dido and Aeneas production: three women entwined around a spreading dark-blue gown while a figure in white scatters red rose petals across the black floor Purple passion velvet plant, its fuzzy deep-purple serrated leaves overflowing a pale lilac pot Cover of sketchbook 19: mustard felt-covered board with a small window of antique printed text pasted at center Max patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongside A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Near-black photograph of a bearded man's face barely lit from below by a single tealight flame Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey Blender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like face Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figure Portrait of sculptor Kiki Smith in her overgrown back garden, grey curls loose, tattooed hand raised mid-thought A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Grey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingers Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing Sketchbook 49 spread at Chicago's Driehaus Museum: sanguine studies of Tiffany bronze candlesticks and a caryatid ('Renaissance + Japanese motifs combined'), facing graphite silhouettes of cinnabar lacquer and skyline finials Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Browser play-through of Scott Adams's text adventure The Count: green terminal text in a flower box outside an open window, tying sheets and eating daisies Blank transparent spacer gif from the old web Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements Saint Bavo's Cathedral in Ghent seen from the belfry: the great Gothic west tower rising over the city's rooftops under a white sky Labeled cutaway diagram of the Teller-Ulam two-stage thermonuclear design: primary with plutonium pit beside the cylindrical secondary in its radiation case Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color'

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